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Very few people can handhold a Mamiya RZ67 Pro II, though there are some who can. While the camera had an improved second version, we’re recommending the first because it’s more affordable and still gives you what you need to get the shot. It’s heavy, so handholding it requires you to have quite the strong arms.
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The camera is great for landscapes and portraits, but we’re not too sure it’s great for much else besides stagnant subjects.
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The fact that it’s the 6×7 format and not the 645 format also makes it capable of shooting a larger image than even their new 645 DSLR can. The camera is a tank with a very loud shutter and build quality that is quite literally designed to take abuse. Pentax 67Įvery photographer that uses their Pentax 67 holds onto it not only out of total love for the camera, but also because they know how excellent it is. Want one? They’re quite expensive, but no one that owns one ever complains. The Contax 645 can also be used with modern digital backs if you choose to do so–or can ever afford to purchase or rent one. In fact, the system has f2 lenses–which is incredibly tough to find with any medium format camera system because of how thin the depth of field is at that aperture. Long considered by many photographers to be the best film medium format camera ever made, what’s great about this camera is not only its autofocusing abilities and TTL metering, but the fact that it can use Zeiss lenses. But amongst those cameras, four stand out as some of our favorites.
Warrior orochi 3 pc portable#
Medium format can give a photographer better image quality than 35mm and 35mm digital while also providing them with a fairly portable camera to do their professional work. Indeed, there are some cameras that when mentioned will make a photographer’s jaw drop. Medium Format SLR cameras aren’t incredibly expensive compared to their digital descendants, but some of them can be quite pricey if you’re looking for the very best.